A wooden gozzo anchored in a granite cove of the Gallura coast at golden hour
An example chapter · Seven days

Coves of the Gallura

Granite, turquoise, a wooden boat, and no road map.

Days
Seven
Party
Two travelers
Season
Late May
Base
Porto Istana & San Pantaleo
An example chapter

Every real storyline is written from scratch. This is one chapter we wrote, kept here so you can hear the voice and pace before we speak.

Written for a Brooklyn couple in their forties who already knew the Côte and Capri, were quietly tired of being recognised at restaurants, and asked for one thing: a week where no one knew who they were.

We kept them off the Costa Smeralda axis on purpose. Two bases, both inland of the postcards, with the sea fifteen minutes down a road no rental car would find on its own.

Day by day

The chapter, line by line.

DAY 1
Olbia · Porto Istana

An arrival that doesn't feel like one.

A driver meets them at Olbia Costa Smeralda, takes the back road through the cork-oak forests, and drops them at a small stone house above Porto Istana. No reception, no key card. Maria from the house leaves the door open and a bottle of Vermentino on the table.

Sunset is on the terrace, a plate of bottarga and pane carasau. Dinner is a fifteen-minute walk down to a family-run trattoria that opens for ten covers a night. They eat sea urchin pasta and don't speak much.

The why: We never start with a hotel lobby. The island reveals itself faster when the first hour is a kitchen, not a check-in desk.

DAY 2
Tavolara

A wooden gozzo, no itinerary.

Salvatore, a fourth-generation fisherman who keeps a 1968 wooden gozzo at a slip he refuses to name, picks them up at 9:30. They circle Tavolara, the limestone monolith that rises 565 meters straight out of the sea, and anchor on its hidden western side where there are no other boats because no one without a local can navigate the reef.

Lunch is whatever Salvatore's brother caught that morning, cooked on a tiny gas ring on the deck. Espresso from a moka. They swim until the light turns.

The why: The Maddalena gets the magazine covers. Tavolara, twenty miles south, gets left alone. Which is exactly the point.

DAY 3
Cala Coticcio

Six in the morning, the cove to ourselves.

A 5:45 a.m. start, a second captain, a fast tender. They are at Cala Coticcio, the Tahiti of the Maddalena, before the park rangers open the access. Forty minutes of swimming, alone, in water you can't quite believe is real.

Back at the house for a late breakfast. The rest of the day is empty on purpose: a book on the terrace, a nap, a long shower.

The why: Cala Coticcio at noon is a queue. At sunrise it's a private chapel. We never put both in the same day.

DAY 4
San Pantaleo

The market, the hills, a long lunch.

Inland thirty minutes to San Pantaleo, a granite village built around a single piazza. Thursday morning is market day: a dozen stalls, mostly producers from the surrounding hills.

Lunch at a private home above the village, set under a fig tree. The host, Antonella, cooks one menu, for ten people, three days a week. There is no sign and no website.

The why: Travelers ask for 'authentic.' What they actually want is to be the only foreigners at a table where the wine has no label.

DAY 5
Costa Smeralda (around it)

Dinner above Cala di Volpe, not in it.

A second base, for two nights, in an agriturismo on a granite ridge that looks down on the Costa Smeralda. Same bay, different altitude, completely different mood.

Dinner is private: a chef we work with cooks at the house: tuna belly, hand-cut culurgiones, a 2009 Cannonau from a vineyard fifteen minutes inland. They are in bed by eleven.

The why: We don't avoid the Costa Smeralda; we look at it from above. The view is the luxury, not the bill at Cala di Volpe.

DAY 6
Arzachena · Capo d'Orso

A nuraghe at noon, a swim at five.

Late morning at the nuraghe Albucciu with an archaeologist we trust: forty-five minutes of context, no headsets, no group. A long lunch in Arzachena's old town.

Late afternoon swim at a small cove below Capo d'Orso that takes a fifteen-minute walk down to reach. They have it to themselves.

The why: One cultural anchor per chapter, no more. Sardinia is 3,500 years deep; a single nuraghe done properly is worth a dozen rushed ones.

DAY 7
Above Arzachena

A shepherd's lunch, then home.

Last day is lunch at a stazzo above Arzachena with Tonino, a shepherd who still makes pecorino in the way his grandfather taught him. Roast suckling pig, his own cheese, his own bread, his own wine. Three hours at the table.

A driver back to Olbia for the late afternoon flight to Rome. No rush, no taxi search.

The why: The last meal is the one travelers remember. We always end at a table where the food was cooked by someone we know.

In this storyline

What we wrote in.

  • Two private houses, both off the Costa Smeralda axis
  • Salvatore's wooden gozzo for two full days
  • Sunrise access to Cala Coticcio with a second captain
  • Private chef dinner at the ridge house
  • Lunch at Antonella's table in San Pantaleo
  • Driver and translator for all transfers
  • An archaeologist for the nuraghe morning
Not in this storyline

What we deliberately left out.

  • The Cala di Volpe terrace and the Porto Cervo marina circuit
  • Any restaurant that takes online reservations
  • Group boat charters and shared catamaran days
  • Beach clubs with bottle service
  • A rental car (every transfer is driven)
Notes from Che

A few asides from the margins.

Why we start in Olbia, not Cagliari

The Gallura's character is in its north: granite, cork, the archipelago. Flying into Cagliari adds four hours of driving for no narrative reason. We send people south only when the storyline is southern.

The wooden boat is wooden for a reason

Salvatore could have a fiberglass tender that goes twice as fast. He doesn't. The gozzo is slow, quiet, and the bay sounds completely different from its deck. Speed is not always the upgrade.

Why Antonella has no website

She cooks three nights a week, for ten people, in her own home. A website would mean a thousand emails she doesn't want to answer. We've been sending the right travelers to her since 2019.

Yours next

This was written for someone else. Yours starts with a conversation.

Tell Che a few lines about the trip you're imagining. He reads every inquiry personally and replies within three business days.

Inquire about this storyline